News & Upcoming Performances
Bjorn's piece
Tides and Riptides:
Concerto for Marimba, Woodblocks, and Orchestra (Piano)
will be performed
by Matthew Coley, Marimba and Woodblocks,
and Clare Longendyke, piano,
on February 8, 2020 at 7:30pm
at Narloch Piano Studio, 4636 N. Francisco Ave., Chicago, Illinois.
Tides and Riptides:
Concerto for Marimba, Woodblocks, and Orchestra (Piano)
will be performed
by Matthew Coley, Marimba and Woodblocks,
and Clare Longendyke, piano,
on February 8, 2020 at 7:30pm
at Narloch Piano Studio, 4636 N. Francisco Ave., Chicago, Illinois.
Featured Video:
Zing, performed by Hal Grossman, violin, and Lisa Kristina, piano,
at the College Music Society National conference
October 25, 2019, 7:30pm
at Cathedral of the Assumption 433 S 5th St # 101, Louisville, Kentucky.
at the College Music Society National conference
October 25, 2019, 7:30pm
at Cathedral of the Assumption 433 S 5th St # 101, Louisville, Kentucky.
Dr. Berkhout received his Doctorate in Composition at Northwestern University where he was awarded the Faricy Award for Creative Music. He’s also an active cellist, having received his Masters Degree in Cello Performance from the University of Minnesota.
In 2015, 2017 and 2018-2019 Dr. Berkhout was selected as a finalist for The American Prize in Composition—professional chamber music division. Dr. Berkhout was awarded 2nd Prize in the 2006 Gustav Mahler Composition Contest for his work Eclipse, which was premiered in Viktring, Austria by the Janus Ensemble Vienna. In 2004 he was the winner of the Omaha Symphony Guild’s International Composition Contest for his work REM, a Lucid Dream Fantasy for solo cello and two chamber orchestras, which was premiered by the Omaha Symphony in 2005. His work Zapstar was one of six works selected from over 230 submissions for the ALEA III 2003 International Composers Contest and his composition Visual Sound, which had its premier in Amsterdam, was nominated for the Gaudeamus Prize 2000.
Twice he was selected as a semi-finalist for the prestigious Raymond and Beverly Sackler Music Composition Prize. He has received attention at many national and international festivals including June in Buffalo, Music Ninety-Eight in Cincinnati, the Gaudeamus Festival in Amsterdam, and the New Music Symposium 2001 at the Domaine Forget in Canada.
His musical 'The Hurricane’ (a retelling of Shakespeare’s The Tempest set on Fire Island) was premiered at the New York International Fringe Festival. He is currently developing a new musical called 'Push'.
In 2015, 2017 and 2018-2019 Dr. Berkhout was selected as a finalist for The American Prize in Composition—professional chamber music division. Dr. Berkhout was awarded 2nd Prize in the 2006 Gustav Mahler Composition Contest for his work Eclipse, which was premiered in Viktring, Austria by the Janus Ensemble Vienna. In 2004 he was the winner of the Omaha Symphony Guild’s International Composition Contest for his work REM, a Lucid Dream Fantasy for solo cello and two chamber orchestras, which was premiered by the Omaha Symphony in 2005. His work Zapstar was one of six works selected from over 230 submissions for the ALEA III 2003 International Composers Contest and his composition Visual Sound, which had its premier in Amsterdam, was nominated for the Gaudeamus Prize 2000.
Twice he was selected as a semi-finalist for the prestigious Raymond and Beverly Sackler Music Composition Prize. He has received attention at many national and international festivals including June in Buffalo, Music Ninety-Eight in Cincinnati, the Gaudeamus Festival in Amsterdam, and the New Music Symposium 2001 at the Domaine Forget in Canada.
His musical 'The Hurricane’ (a retelling of Shakespeare’s The Tempest set on Fire Island) was premiered at the New York International Fringe Festival. He is currently developing a new musical called 'Push'.