News & Upcoming Performances
Bjorn has been elected Chair of the Music Department at
Queensborough Community College
for a three year term beginning July 2019.
Queensborough Community College
for a three year term beginning July 2019.
Bjorn Berkhout has been selected as a semi-finalist for his piece
Running Towards Empty in the composers—instrumental chamber music, 2018-19 division of The American Prize national non-profit competitions in the performing arts.
The American Prize will be announcing finalists soon.
Running Towards Empty in the composers—instrumental chamber music, 2018-19 division of The American Prize national non-profit competitions in the performing arts.
The American Prize will be announcing finalists soon.
Bjorn's Marimba Concerto, Tides & Riptides, had its New York Premier with Matthew Coley, marimba soloist, and the Queer Urban Orchestra on Saturday May 11 at Church of the Holy Apostles.
Dr. Berkhout received his Doctorate in Composition at Northwestern University where he was awarded the Faricy Award for Creative Music. He’s also an active cellist, having received his Masters Degree in Cello Performance from the University of Minnesota.
In 2015 and 2017 Dr. Berkhout was selected as a finalist for The American Prize in Composition—professional chamber music division. Dr. Berkhout was awarded 2nd Prize in the 2006 Gustav Mahler Composition Contest for his work Eclipse, which was premiered in Viktring, Austria by the Janus Ensemble Vienna. In 2004 he was the winner of the Omaha Symphony Guild’s International Composition Contest for his work REM, a Lucid Dream Fantasy for solo cello and two chamber orchestras, which was premiered by the Omaha Symphony in 2005. His work Zapstar was one of six works selected from over 230 submissions for the ALEA III 2003 International Composers Contest and his composition Visual Sound, which had its premier in Amsterdam, was nominated for the Gaudeamus Prize 2000.
Twice he was selected as a semi-finalist for the prestigious Raymond and Beverly Sackler Music Composition Prize. He has received attention at many national and international festivals including June in Buffalo, Music Ninety-Eight in Cincinnati, the Gaudeamus Festival in Amsterdam, and the New Music Symposium 2001 at the Domaine Forget in Canada.
His musical 'The Hurricane’ (a retelling of Shakespeare’s The Tempest set on Fire Island) was premiered at the New York International Fringe Festival. He is currently developing a new musical called 'Push'.
In 2015 and 2017 Dr. Berkhout was selected as a finalist for The American Prize in Composition—professional chamber music division. Dr. Berkhout was awarded 2nd Prize in the 2006 Gustav Mahler Composition Contest for his work Eclipse, which was premiered in Viktring, Austria by the Janus Ensemble Vienna. In 2004 he was the winner of the Omaha Symphony Guild’s International Composition Contest for his work REM, a Lucid Dream Fantasy for solo cello and two chamber orchestras, which was premiered by the Omaha Symphony in 2005. His work Zapstar was one of six works selected from over 230 submissions for the ALEA III 2003 International Composers Contest and his composition Visual Sound, which had its premier in Amsterdam, was nominated for the Gaudeamus Prize 2000.
Twice he was selected as a semi-finalist for the prestigious Raymond and Beverly Sackler Music Composition Prize. He has received attention at many national and international festivals including June in Buffalo, Music Ninety-Eight in Cincinnati, the Gaudeamus Festival in Amsterdam, and the New Music Symposium 2001 at the Domaine Forget in Canada.
His musical 'The Hurricane’ (a retelling of Shakespeare’s The Tempest set on Fire Island) was premiered at the New York International Fringe Festival. He is currently developing a new musical called 'Push'.
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